1796-1875 Corot Locations French painter, draughtsman and printmaker. After a classical education at the College de Rouen, where he did not distinguish himself, and an unsuccessful apprenticeship with two drapers, Corot was allowed to devote himself to painting at the age of 26. He was given some money that had been intended for his sister, who had died in 1821, and this, together with what we must assume was his family continued generosity, freed him from financial worries and from having to sell his paintings to earn a living. Corot chose to follow a modified academic course of training. He did not enrol in the Ecole des Beaux-Arts but studied instead with Achille Etna Michallon and, after Michallon death in 1822, with Jean-Victor Bertin. Both had been pupils of Pierre-Henri Valenciennes, and, although in later years Corot denied that he had learnt anything of value from his teachers, his career as a whole shows his attachment to the principles of historic landscape painting which they professed.  Related Paintings of Jean Baptiste Camille Corot :. | Le chevrier de Genzano (mk11) | Young Woman with a Mandolin3 | The Colosseum Seen from the Farnese Gardens (mk05) | Souvenir de Mortefontaine (mk11) | L'atelier (mk11) |
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Stephen Pearce
(London, 1819-904) was a portrait and equestrian painter. Forty-four portraits which he painted are in the National Portrait Gallery in London, which also contains two self-portraits.
Stefano di Giovanni Sassetta
1423-1451 Italian Stefano di Giovanni Sassetta Gallery Stefano di Giovanni, known as il Sassetta, (Siena 1392 ?C 1450 or 1451) was an Italian painter. He was born in Siena, although there is also an hypothesis that he was born in Cortona. However, the first historical record of him was in Siena in 1423. Di Giovanni was probably the apprentice of Paolo di Giovanni Fei although it is also thought that he may have studied under Benedetto di Bindo. He painted in the semi-archaic Sienese School style of painting. Francesco di Giorgio e di Lorenzo, better known as Vecchietta, is said to have been his apprentice.
BAUGIN, Lubin
French painter. He became a master in the painters' guild of Saint-Germain-des-Pr?s in 1629. From c. 1636 he was in Italy, but he is known to have been in Paris again in 1641; in 1645 he became a member of the Acad?mie de St Luc, and in 1651 he was also a member of the Acad?mie Royale after the temporary amalgamation of the two institutions. Like many of his generation he was deeply influenced by the art of the Fontainebleau school. The Mannerist tendency of his style